\nStaged by Carlos D\u00edaz<\/strong>
\nA production by Teatro El P\u00fablico and FUNDarte<\/strong><\/p>\n
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Miami based artists meet the renowned cuban theater director Carlos D\u00edaz to present The Dog in the Manger (El Perro del Hortelano) at Corral de las Comedias in Alcal\u00e1 de Hernares in July 2nd and 3rd at 7:30 p.m.<\/p>\n
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THE DOG IN THE MANGER: TO EAT\u2026 AND LET EAT<\/b><\/em><\/p>\n Beyond its glorious verse form,\u00a0The Dog in the Manger\u00a0is a comedy about a woman who has created a kingdom of her own. Countess Diana of Belflor is the mistress of this small world, visited by suitors whom she rejects, wary of marriage and its rules, until jealousy takes hold of her. When she learns that her secretary, Teodoro, is courting Diana, one of her ladies in waiting, she reveals herself to be a skillful schemer of intrigues, ultimately ending up as the one who marries Teodoro.<\/span><\/p>\n <\/p>\n In times when the effects of the MeToo movement are still being felt, when cancellations and the tensions of fake news abound, we can read\u00a0The Dog in the Manger\u00a0as a game of half-truths that intersect among these characters, reminding us that human beings, and theater itself, operate as creators of fictions.<\/span><\/p>\n <\/p>\n Women and men, jealousy and honor, desires and delusions: through these, words and bodies devour one another\u2014or allow themselves to be devoured– depending on the interests that all of this conceals. Stripping Lope bare to reveal the faces of his characters and unveil their inhibitions is the game proposed by director Carlos D\u00edaz, culminating in an ironic vision of the play\u2019s happy ending, saved by that count who desperately seeks a son.<\/span><\/p>\n <\/p>\n But after all this, what remains is the image of Diana, the-lady-in-waiting who ends up not marrying Teodoro, while she watches her mistress rise as her rival. The world and theater can be like that small world where this palace comedy takes place.<\/span><\/p>\n <\/p>\n It remains to be seen what happens when the curtain rises and only the characters–and the theatrical elements–allow us to glimpse the other side of the stage. Let the dogs bark. And let them eat.<\/span><\/p>\n <\/p>\n CAST:<\/strong><\/p>\n <\/p>\n Diana \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 Ysmercy Salom\u00f3n <\/p>\n <\/p>\n What: The Dog in the Manger (El Perro del Hortelano)<\/p>\n When: July, 2 and 3 at 7:30 p.m.<\/p>\n Where: \u00a0Corral de Comedias, Alcal\u00e1 de Henares (MADRID)<\/p>\n Tickets: https:\/\/www.giglon.com\/todos?idEvent=el-perro-del-hortelano-alcaladehenares<\/p>\n <\/p>\n A version by Norge Espinosa Mendoza based on the play by Lope de Vega Staged by Carlos D\u00edaz A production by Teatro El P\u00fablico and FUNDarte Miami based artists meet the renowned cuban theater director Carlos D\u00edaz to present The Dog in the…<\/p>\n","protected":false},"featured_media":25510,"template":"","categories":[69],"tags":[],"class_list":["post-25509","fundarte-event","type-fundarte-event","status-publish","has-post-thumbnail","hentry","category-current-season"],"_links":{"self":[{"href":"https:\/\/fundarte.us\/es\/wp-json\/wp\/v2\/fundarte-event\/25509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundarte.us\/es\/wp-json\/wp\/v2\/fundarte-event"}],"about":[{"href":"https:\/\/fundarte.us\/es\/wp-json\/wp\/v2\/types\/fundarte-event"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fundarte.us\/es\/wp-json\/wp\/v2\/media\/25510"}],"wp:attachment":[{"href":"https:\/\/fundarte.us\/es\/wp-json\/wp\/v2\/media?parent=25509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundarte.us\/es\/wp-json\/wp\/v2\/categories?post=25509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundarte.us\/es\/wp-json\/wp\/v2\/tags?post=25509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nTeodoro \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 Enmanuel Galb\u00e1n
\nMarcela \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 Laura Alem\u00e1n
\nDorotea \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 Guillermo Lavandera
\nAnarda \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 Frank Ledesma
\nTrist\u00e1n \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 Luciano Cort\u00e9s
\nFederico \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 Frank Ledesma
\nFabio \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 Reinier D\u00edaz
\nRicardo \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 Guillermo Lavandera
\nLudovico \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 \u00b7 Joel Sotolongo<\/p>\n![\"\"](\"https:\/\/fundarte.us\/wp-content\/uploads\/2026\/05\/Cartel-Festival-Hispanoamericano-del-Siglo-de-Oro-Clasicos-en-Alcala--210x300.webp\")
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